Nicolaes Pietersz Berchem, 1670 - allegorie van de winter - kunstdruk

Aanvullende informatie van het museum (© Copyright - by Mauritshuis - Mauritshuis)

Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872; sale London (Christie’s), 17 May 1945, no. 129 (together with inv. no. 1221 for 32 guineas to Shapiro); Dr. E.I. Shapiro, London, 1945-1979 (together with inv. no. 1221); his sale, London (Christie’s), 30 November 1979, no. 4; Leger Gallery, London 1981 (together with inv. no. 1221); Noortman Gallery, Maastricht-London (together with inv. no. 1221); Eric Alberda Jelgersma, 1990-2018 (together with inv. no. 1221 and from 2013 together with inv. no. 1220); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1220-1221)

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Samenvatting van het artikel

This over 350 year-old masterpiece called "Allegory of Winter" was painted by Nicolaes Pietersz Berchem in 1670. The version of the masterpiece measures the size of height: 94 cm width: 88,9 cm | height: 37 in width: 35 in. Olieverf op canvas was used by the painter as the medium of the work of art. The artpiece has the following inscription: "signed: Berchem f". This artpiece forms part of the Mauritshuis's art collection. With courtesy of - Mauritshuis, Den Haag (public domain license). The creditline of the artwork is: Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872; sale London (Christie’s), 17 May 1945, no. 129 (together with inv. no. 1221 for 32 guineas to Shapiro); Dr. E.I. Shapiro, London, 1945-1979 (together with inv. no. 1221); his sale, London (Christie’s), 30 November 1979, no. 4; Leger Gallery, London 1981 (together with inv. no. 1221); Noortman Gallery, Maastricht-London (together with inv. no. 1221); Eric Alberda Jelgersma, 1990-2018 (together with inv. no. 1221 and from 2013 together with inv. no. 1220); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1220-1221). On top of that, alignment of the digital reproduction is square with an aspect ratio of 1: 1, Waardoor de lengte is gelijk aan de breedte.

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