James Jacques Joseph Tissot, 1862 - De terugkeer van de verloren zoon - fine art print

Diepgaande informatie over kunstproducten

Dit meer dan 150 year-old masterpiece was created by the master James Jacques Joseph Tissot in 1862. Het meesterwerk is beschilderd met de maat: Hoogte: 115,5 cm, Breedte: 206 cm. Olie, Canvas (materiaal) was used by the painter as the medium of the painting. The original masterpiece has the following text as inscrption: Date and signature - Bottom left: "James Tissot 1862". Bovendien maakt dit kunstwerk deel uit van de Petit Palais - Musée des Beaux-Arts de la Ville de Paris digitale kunstcollectie. Met dank aan: Petit Palais Parijs (licentie: publiek domein).Creditline van het kunstwerk: . Daarnaast is de uitlijning Landschap met een beeldverhouding van 16: 9, wat inhoudt dat de lengte 78% langer is dan de breedte.

Selecteer het artikelmateriaal van uw voorkeur

Voor elke fine art print bieden we verschillende materialen en formaten aan. Kies nu uit de volgende productopties die overeenkomen met uw voorkeuren in maat en materiaal:

• Metaalprint (aluminium dibond): Aluminium Dibond prints are prints on metal with an outstanding effect of depth. A non-reflective surface structure creates a fashionable look. The bright parts of the work of art shimmer with a silk gloss, however without any glare.
• Affiche afdrukken (canvasmateriaal): A poster print is a printed cotton canvas with a granular texture on the surface. It is best suited for placing the fine art print using a personal frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with a custom frame.
• De canvasafdruk: A canvas direct print is a printed canvas stretched on a wooden frame. A canvas of your favorite masterpiece will give you the unique opportunity of transforming your fine art print into a large artwork. Canvas prints are relatively low in weight. This means, it is quite simple to hang up the Canvas print without the support of additional wall-mounts. Therefore, a canvas print is suitable for any type of wall.
• Glanzend acrylglas print (met echte glascoating): An acrylic glass print, which is often denoted as a UV print on plexiglass, will change the original work of art into beautiful décor. Your favorite artwork is being custom-made with the help of state-of-the-art UV direct print technology. This creates deep, vivid color shades. With a glossy acrylic glass art print contrasts as well as painting details will be identifiable with the help of the delicate gradation.

Belangrijke informatie: We try whatever we can to depict our products with as many details as it is possible and to display them visually on the respective product detail pages. Although, the pigments of the printing material and the printing might vary marginally from the presentation on your device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments are printed one hundret percent realistically. Bearing in mind that all our art prints are printed and processed manually, there may also be minor differences in the exact position and the size of the motif.

Het product

Achtergrondinformatie over het originele kunstwerk

Over de kunstenaar

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Aanvullende informatie over kunstwerken op de website van het museum (© Copyright - Petit Palais - Musée des Beaux-Arts de la Ville de Paris - www.petitpalais.paris.fr)

The parable of the prodigal son is taken from the Gospel according to Luke. A son who had left the family home with his inheritance quickly spent his money and soon found himself in misery. He later returned imploring kneeling pardon of his father who happily accepted the return of his child. Father welcomes her child in the yard of his rich remains under the curious gaze of residents. Behind a fortified gate are staged roofs of the city and the foothills of a Gothic cathedral. Tissot features the return of the prodigal son in a medieval setting. Its neo-Flemish style recalls the way the painter Henri Leys Antwerp (1815-1869).

This painting was exhibited at the Salon of 1863 along with its counterpart, "The start of the prodigal son", also kept at the Petit Palais. The harsh criticisms that are brought to him because of his neo-Gothic inspiration have contributed to the evolution of his work to the painting of modern life. Tissot will resume later this theme of the prodigal son, but locating the scenes in the nineteenth century.

Biblical scene, the prodigal son, the New Testament Scene