Albrecht Dürer, 1505 - Redder van de wereld - fine art print

Achtergrondinformatie over het kunstwerk genaamd "Redder van de wereld"

In 1505 the painter Albrecht Dürer created this artwork. The beyond 510 year old original version had the following size: 22 7/8 x 18 1/2in (58,1 x 47cm) and was painted with the techniek of olie op linde. Dit kunstwerk maakt deel uit van de Het Metropolitan Museum of Art digitale collectie. Met dank aan The Metropolitan Museum of Art, New York, The Friedsam Collection, Legaat van Michael Friedsam, 1931 (publiek domein licentie). Creditline of the artwork: The Friedsam Collection, Bequest of Michael Friedsam, 1931. Besides, the alignment of the digital reproduction is in portrait formaat en heeft een beeldverhouding van 1: 1.2, which implies that the length is 20% shorter than the width. Albrecht Dürer was a painter, whose artistic style was primarily Northern Renaissance. The German artist was born in 1471 and passed away at the age of 57 in het jaar 1528.

Krijg je favoriete materiaaloptie voor kunstafdrukken

Het vervolgkeuzemenu voor producten geeft u de mogelijkheid om uw favoriete materiaal en maat te selecteren. Wij bieden u de keuze uit de volgende varianten:

• Print op plexiglas (met coating van echt glas): An acrylic glass print, often referenced as a UV print on plexiglass, will turn your favorite original work of art into brilliant home decoration. The artwork is printed with modern UV print machines. It makes vibrant, stunning colors. The great advantage of a plexiglass fine art copy is that contrasts plus image details will be recognizeable because of the precise tonal gradation.
• Canvasafdruk: A canvas print, not to be mistaken with a real canvas painting, is an image printed on a cotton canvas. It produces the sculptural impression of three-dimensionality. A canvas print of this work of art will let you turn your custom fine art print into a large artpiece as you know from galleries. How do I hang a canvas print on my wall? Canvas prints are relatively low in weight, which means that it is easy to hang up the Canvas print without the use of any wall-mounts. Canvas prints are suitable for any kind of wall.
• Poster (canvasmateriaal): The poster is a printed cotton canvas with a nice surface finish. It is best suited for placing the art print using a personal frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the painting, which facilitates the framing with your custom frame.
• Aluminium dibond (metalen print): Aluminium Dibond prints are metal prints with an impressive depth effect. Colors are bright and luminous in the highest definition, fine details appear clear and crisp. The direct UV print on aluminium is the most popular entry-level product and is an extremely stylish way to showcase art prints, since it draws focus on the replica of the artwork.

Wettelijke disclaimer: We try our best in order to depict our art products as closely as possible and to exhibit them visually. Still, the colors of the print products, as well as the print result may vary somehwat from the presentation on your device's screen. Depending on the settings of your screen and the quality of the surface, color pigments might not be printed as realisitcally as the digital version depicted here. Because the art prints are processed and printed by hand, there might as well be slight variations in the exact position and the size of the motif.

Gestructureerde artikelinformatie

Achtergrondinformatie over het originele kunstwerk

Snel overzicht van de artiest

© Auteursrecht beschermd | www.artprinta.com (Artprinta)

Kunstwerkbeschrijving door het Metropolitan Museum of Art (© - Het Metropolitan Museum of Art - Het Metropolitan Museum of Art)

This picture of Christ as Savior of the World, who raises his right hand in blessing and in his left holds a globe representing the earth, can be appreciated both as a painting and as a drawing. Albrecht Dürer, the premier artist of the German Renaissance, probably began this work shortly before he departed for Italy in 1505, but completed only the drapery. His unusually extensive and meticulous preparatory drawing on the panel is visible in the unfinished portions of Christ's face and hands.