Pierre-Auguste Renoir, 1917 - in een landschap (in een landschap) - fine art print

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Dit meer dan 100 jaar oud kunstwerk genoemd in a Landscape (in a Landscape) is gemaakt door de mannelijke schilder Pierre-Auguste Renoir in 1917. The more than 100 year old original had the following size: Totaal: 32 x 24 1/8 inch (81,3 x 61 cm) en werd geschilderd met de techniek van olieverf op canvas. Dit kunstwerk bevindt zich in de digitale kunstcollectie van Stichting Barnes in Philadelphia, Pennsylvania, Verenigde Staten. Met genoegen kunnen wij melden dat dit meesterwerk, dat toebehoort aan de publiek domein wordt geleverd met dank aan Met dank aan de Barnes Foundation, Merion en Philadelphia, Pennsylvania.Additionally, the artwork has the following creditline: . What is more, the alignment of the digital reproduction is Portret en heeft een beeldverhouding van 3 : 4, wat dat impliceert de lengte is 25% korter dan de breedte. Pierre-Auguste Renoir was a illustrator, painter, sculptor of French nationality, whose artistic style can mainly be classified as Impressionism. The Impressionist painter was born in 1841 in Limoges, Nouvelle-Aquitaine, France and died at the age of 78 in 1919.

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Voor elk product bieden we verschillende maten en materialen aan. U kunt uw favoriete maat en materiaal kiezen uit de volgende opties:

• Aluminium dibond: Aluminium Dibond prints are metal prints with a true depth effect. The Direct Print on Aluminum Dibond is your perfect start to art prints on aluminum. For the Print On Aluminum Dibond, we print the artpiece on the aluminium composite white-primed surface. The colors are bright and vivid in the highest definition, details are very clear. This direct print on Aluminum Dibond is the most popular entry-level product and is an extremely modern way to showcase fine art reproductions, since it draws attention on the artwork.
• Print op plexiglas (met coating van echt glas): An print on acrylic glass, which is sometimes referenced as a UV print on plexiglass, will transform the original artwork into stunning home decoration. The work of art is custom-made thanks to state-of-the-art UV print technology. It makes impressive and vivid color tones. With an acrylic glass art print sharp contrasts and also small details become more identifiable with the help of the very subtle tonal gradation.
• De canvasafdruk: A canvas print, which should not be confused with a painting on a canvas, is an image printed on a UV direct printing machine. It produces the unique effect of three dimensionality. What is more, printed canvas makes a charming and comfortable feeling. Your printed canvas of your favorite work of art will allow you to transform your into a large size collection piece. Canvas prints are relatively low in weight. That means, it is quite simple to hang your Canvas print without the use of any wall-mounts. That is why, a canvas print is suited for all kinds of walls.
• Posterprint (canvasmateriaal): The poster is a printed canvas with a nice finish on the surface. It is used for placing the fine art print with a custom-made frame. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the painting, which facilitates the framing with a custom frame.

Juridische opmerking: We try our best to depict our art products with as many details as it is possible and to illustrate them visually on the respective product detail pages. Nonetheless, the colors of the print products and the imprint can diverge marginally from the representation on the device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments can be printed 100% realistically. In view of the fact that all the art reproductions are processed and printed manually, there might also be minor differences in the motif's exact position and the size.

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Deze tekst is intellectueel eigendom en wordt beschermd door copyright ©, Artprinta (www.artprinta.com)

Original information about the artwork by the museum's website (© Copyright - by Barnes Foundation - Stichting Barnes)

Renoir believed that appealing to the viewer's tactile sense was essential when painting the naked body. "A nude is not done until I feel I can reach out and touch it", he said. In this painting produced close to the end of his life, Renoir seems to insist on the physicality of his figure. Velvety flesh, created with layers of thin glazes, fills the canvas; the woman's body seems ready to spill into our space.