Nicolas Bertin, 1730 - Christus die de voeten van zijn discipelen wast - fine art print
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Aanvullende informatie van het museum (© Copyright - door Art Institute Chicago - www.artic.edu)
Nicolas Bertin was primarily a painter of religious, mythological, and allegorical subjects. Although trained in the rigorous French academic traditions, he often emulated the broader style of Titian, Paolo Veronese, and other Venetian Renaissance masters. For his depiction of Christ washing Saint Peter’s feet just after the Last Supper (John 13:4-5), Bertin created a majestic, theatrical backdrop reminiscent of those in Veronese’s pictures. Through gesture and facial expression Bertin adeptly described a range of emotions, from surprise and puzzlement to humility.
Achtergrondinformatie over het ruim 290 jaar oude kunstwerk
In het jaar 1730 de Frans painter Nicolas Bertin made this 18th eeuw artwork. The version of the artpiece was painted with the absolute size: 49,5 × 72,1 cm (19 1/2 × 28 3/8 inch). Oil on panel was applied by the European painter as the technique for the artwork. "Bertin (lower left, on the edge of the platform)" is the masterpiece's original inscription. Nowadays, this artwork belongs to the digital art collection of Art Institute Chicago, which is located in Chicago, Illinois, Verenigde Staten van Amerika. We are glad to state that the public domain artpiece is supplied with courtesy of Art Institute Chicago. In addition to that, the artwork has the creditline: Charles H. en Mary FS Worcester-collectie. De uitlijning van de digitale reproductie is binnen Landschap formaat met een verhouding van 3: 2, wat dat inhoudt de lengte is 50% langer dan de breedte. Nicolas Bertin was a male painter, interior designer, drawer, whose artistic style can be attributed primarily to Baroque. The artist lived for 68 years - born in the year 1668 in Paris, Ile-de-France, France and passed away in the year 1736 in Paris, Ile-de-France, France.
Kies een artikelmateriaaloptie
In the product dropdown lists you can choose your individual material and size. The following sizes and materials are the options we offer you for individualization:
- Canvas: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the help of additional wall-mounts. A canvas print is suited for all kinds of walls.
- De poster print op canvas materiaal: Our poster print is a UV printed cotton canvas with a fine structure on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm round about the print motif to facilitate the framing with a custom frame.
- Aluminium dibond print: This is a metal print manufactured on aluminium dibond material with a true effect of depth - for a modern look and non-reflective surface structure. The print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to showcase art prints, since it puts all of the viewer’s attention on the image.
- Print op glanzend acrylglas (met coating van echt glas): An acrylic glass print, which is sometimes referenced as a plexiglass print, will turn the original artwork into décor.
Kunstenaar tafel
Artiestennaam: | Nicolaas Bertijn |
Ook gekend als: | Bertin Nicolas, N. Bertin, Nicolas Bertin, Bertin, Bertin. N., N. Bertini |
Geslacht: | mannetje |
Nationaliteit: | Frans |
Banen: | binnenhuisarchitect, schilder, tekenaar |
land: | Frankrijk |
Indeling: | oude meester |
Kunststijlen: | Barok |
Levenslang: | 68 jaar |
Geboortejaar: | 1668 |
Geboren in (plaats): | Parijs, Ile-de-France, Frankrijk |
Jaar van overlijden: | 1736 |
Stad van overlijden: | Parijs, Ile-de-France, Frankrijk |
Details over het unieke kunstwerk
Titel van het kunstwerk: | "Christ Washing the Feet of His Disciples" |
Kunstwerk categorisatie: | schilderij |
Algemene term: | klassieke kunst |
Kunstwerk eeuw: | 18th eeuw |
Gemaakt in: | 1730 |
Geschatte leeftijd van kunstwerk: | rond 290 jaar |
Kunstwerk origineel medium: | olie op paneel |
Grootte van het originele kunstwerk: | 49,5 × 72,1 cm (19 1/2 × 28 3/8 inch) |
Originele handtekening van het kunstwerk: | bertin (lower left, on the edge of the platform) |
Museum: | Kunstinstituut Chicago |
Locatie museum: | Chicago, Illinois, Verenigde Staten van Amerika |
Webpagina: | Kunstinstituut Chicago |
Licentie type kunstwerk: | publiek domein |
Met dank aan: | Kunstinstituut Chicago |
Creditline van kunstwerk: | Charles H. en Mary FS Worcester-collectie |
Over het product
Print categorisatie: | Kunstafdruk |
voortplanting: | digitale reproductie |
Productietechniek: | digitaal printen |
Oorsprong van het product: | Duits gemaakt |
Soort voorraad: | on demand |
Gebruik van het product: | kunstreproductiegalerij, wanddecoratie |
Uitlijning van het kunstwerk: | landschapsaanpassing |
Beeldverhouding: | (lengte breedte) 3: 2 |
Implicatie: | de lengte is 50% langer dan de breedte |
Beschikbare reproductiematerialen: | posterprint (canvaspapier), print op metaal (aluminium dibond), print op acrylglas (met echte glascoating), print op canvas |
Canvas op spieraam (canvas print) maten: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Print op plexiglas (met coating van echt glas): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Posterprint (canvaspapier) varianten: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Aluminium dibond print (aluminium materiaal) Maatvarianten: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Inlijsten van de kunstkopie: | niet beschikbaar |
Disclaimer: We try whatever we can to depict our products in as much detail as it is possible and to illustrate them visually on the product detail pages. Nonetheless, the tone of the printed materials, as well as the printing may differ marginally from the presentation on your device's screen. Depending on your settings of your screen and the quality of the surface, colors can unfortunately not be printed as realistically as the digital version. Given that all fine art prints are processed and printed manually, there may as well be minor differences in the motif's size and exact position.
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