Nicolas Bertin, 1730 - Christus die de voeten van zijn discipelen wast - fine art print

29,99 €

Inclusief BTW Verzendkosten berekend Bij de kassa.

Aanvullende informatie van het museum (© Copyright - door Art Institute Chicago - www.artic.edu)

Nicolas Bertin was primarily a painter of religious, mythological, and allegorical subjects. Although trained in the rigorous French academic traditions, he often emulated the broader style of Titian, Paolo Veronese, and other Venetian Renaissance masters. For his depiction of Christ washing Saint Peter’s feet just after the Last Supper (John 13:4-5), Bertin created a majestic, theatrical backdrop reminiscent of those in Veronese’s pictures. Through gesture and facial expression Bertin adeptly described a range of emotions, from surprise and puzzlement to humility.

Achtergrondinformatie over het ruim 290 jaar oude kunstwerk

In het jaar 1730 de Frans painter Nicolas Bertin made this 18th eeuw artwork. The version of the artpiece was painted with the absolute size: 49,5 × 72,1 cm (19 1/2 × 28 3/8 inch). Oil on panel was applied by the European painter as the technique for the artwork. "Bertin (lower left, on the edge of the platform)" is the masterpiece's original inscription. Nowadays, this artwork belongs to the digital art collection of Art Institute Chicago, which is located in Chicago, Illinois, Verenigde Staten van Amerika. We are glad to state that the public domain artpiece is supplied with courtesy of Art Institute Chicago. In addition to that, the artwork has the creditline: Charles H. en Mary FS Worcester-collectie. De uitlijning van de digitale reproductie is binnen Landschap formaat met een verhouding van 3: 2, wat dat inhoudt de lengte is 50% langer dan de breedte. Nicolas Bertin was a male painter, interior designer, drawer, whose artistic style can be attributed primarily to Baroque. The artist lived for 68 years - born in the year 1668 in Paris, Ile-de-France, France and passed away in the year 1736 in Paris, Ile-de-France, France.

Kies een artikelmateriaaloptie

In the product dropdown lists you can choose your individual material and size. The following sizes and materials are the options we offer you for individualization:

  • Canvas: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the help of additional wall-mounts. A canvas print is suited for all kinds of walls.
  • De poster print op canvas materiaal: Our poster print is a UV printed cotton canvas with a fine structure on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm round about the print motif to facilitate the framing with a custom frame.
  • Aluminium dibond print: This is a metal print manufactured on aluminium dibond material with a true effect of depth - for a modern look and non-reflective surface structure. The print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to showcase art prints, since it puts all of the viewer’s attention on the image.
  • Print op glanzend acrylglas (met coating van echt glas): An acrylic glass print, which is sometimes referenced as a plexiglass print, will turn the original artwork into décor.

Kunstenaar tafel

Artiestennaam: Nicolaas Bertijn
Ook gekend als: Bertin Nicolas, N. Bertin, Nicolas Bertin, Bertin, Bertin. N., N. Bertini
Geslacht: mannetje
Nationaliteit: Frans
Banen: binnenhuisarchitect, schilder, tekenaar
land: Frankrijk
Indeling: oude meester
Kunststijlen: Barok
Levenslang: 68 jaar
Geboortejaar: 1668
Geboren in (plaats): Parijs, Ile-de-France, Frankrijk
Jaar van overlijden: 1736
Stad van overlijden: Parijs, Ile-de-France, Frankrijk

Details over het unieke kunstwerk

Titel van het kunstwerk: "Christ Washing the Feet of His Disciples"
Kunstwerk categorisatie: schilderij
Algemene term: klassieke kunst
Kunstwerk eeuw: 18th eeuw
Gemaakt in: 1730
Geschatte leeftijd van kunstwerk: rond 290 jaar
Kunstwerk origineel medium: olie op paneel
Grootte van het originele kunstwerk: 49,5 × 72,1 cm (19 1/2 × 28 3/8 inch)
Originele handtekening van het kunstwerk: bertin (lower left, on the edge of the platform)
Museum: Kunstinstituut Chicago
Locatie museum: Chicago, Illinois, Verenigde Staten van Amerika
Webpagina: Kunstinstituut Chicago
Licentie type kunstwerk: publiek domein
Met dank aan: Kunstinstituut Chicago
Creditline van kunstwerk: Charles H. en Mary FS Worcester-collectie

Over het product

Print categorisatie: Kunstafdruk
voortplanting: digitale reproductie
Productietechniek: digitaal printen
Oorsprong van het product: Duits gemaakt
Soort voorraad: on demand
Gebruik van het product: kunstreproductiegalerij, wanddecoratie
Uitlijning van het kunstwerk: landschapsaanpassing
Beeldverhouding: (lengte breedte) 3: 2
Implicatie: de lengte is 50% langer dan de breedte
Beschikbare reproductiematerialen: posterprint (canvaspapier), print op metaal (aluminium dibond), print op acrylglas (met echte glascoating), print op canvas
Canvas op spieraam (canvas print) maten: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Print op plexiglas (met coating van echt glas): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Posterprint (canvaspapier) varianten: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Aluminium dibond print (aluminium materiaal) Maatvarianten: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Inlijsten van de kunstkopie: niet beschikbaar

Disclaimer: We try whatever we can to depict our products in as much detail as it is possible and to illustrate them visually on the product detail pages. Nonetheless, the tone of the printed materials, as well as the printing may differ marginally from the presentation on your device's screen. Depending on your settings of your screen and the quality of the surface, colors can unfortunately not be printed as realistically as the digital version. Given that all fine art prints are processed and printed manually, there may as well be minor differences in the motif's size and exact position.

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