Henry Ossawa Tanner, 1906 - de twee discipelen bij het graf - fine art print
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Informatie over het artikel
In 1906 the artist Henry Ossawa Tanner created the masterpiece. The piece of art had the following size - 129,5 × 105,7 cm (51 × 41 7/8 inch). Olieverf op canvas was applied by the North American artist as the medium of the piece of art. The original masterpiece has the following inscription: signed, lower left: "H.O. Tanner". Verder staat dit kunstwerk in de de Kunstinstituut Chicago's art collection. The modern art public domain artpiece is provided with courtesy of Kunstinstituut Chicago. Bovendien heeft het kunstwerk de volgende kredietlijn: Robert A. Waller-fonds. Bovendien is de uitlijning van de digitale reproductie in orde Portret formaat en heeft een verhouding van 1: 1.2, inhoudende dat de lengte is 20% korter dan de breedte.
Wat zou je favoriete productmateriaal zijn?
The product dropdown menu ofers you the possibility to choose your prefered size and material. Choose among the following product options now to match your preferences in size and material:
- Poster (canvasmateriaal): The poster is a UV printed sheet of flat cotton canvas with a slightly rough structure on the surface, that resembles the actual masterpiece. Please note, that depending on the size of the poster we add a white margin of approximately 2-6cm round about the painting to facilitate the framing with a custom frame.
- Aluminium dibond print (metaal): Aluminium Dibond prints are prints on metal with an impressive effect of depth - for a modern look and a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is the ideal introduction to art reproductions on aluminum. The colors are bright and vivid in the highest definition, fine details of the print are crisp.
- Canvas: A canvas print is a printed cotton canvas mounted on a wood stretcher. A canvas makes the exclusive impression of three-dimensionality. Your canvas of this masterpiece will let you turn your custom art print into a large artwork as you know from art galleries. How do I hang a canvas on the wall? The great advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang the Canvas print without extra wall-mounts. Therefore, a canvas print is suited for all kinds of walls.
- De print op plexiglas: The print on acrylic glass, often denoted as a print on plexiglass, will convert the original artwork into beautiful décor. In addition, it forms a great alternative to dibond or canvas art prints. Your favorite artwork is being custom-made with state-of-the-art UV direct printing machines. The great advantage of an acrylic glass fine art copy is that contrasts and also small image details will be exposed with the help of the fine tonal gradation.
Wettelijke disclaimer: We try what we can to depict the art products as closely as possible and to display them visually in our shop. At the same time, some pigments of the print products, as well as the print result might vary somehwat from the image on your device's screen. Depending on the settings of your screen and the nature of the surface, colors might not be printed as realisitcally as the digital version on this website. In view of the fact that all art prints are processed and printed by hand, there may as well be minor discrepancies in the motif's exact position and the size.
De productspecificaties
Print categorisatie: | kunst aan de muur |
Reproductiemethode: | reproductie in digitaal formaat |
Productieproces: | UV-direct printen (digitale print) |
Oorsprong van het product: | Duits gemaakt |
Soort voorraad: | productie op aanvraag |
Beoogd gebruik: | wanddecoratie, kunst aan de muur |
Oriëntatie van de afbeelding: | staand formaat |
Zijverhouding: | (lengte : breedte) 1 : 1.2 |
Implicatie van de beeldverhouding: | de lengte is 20% korter dan de breedte |
Beschikbare keuzes: | print op acrylglas (met echte glascoating), posterprint (canvaspapier), canvasprint, metaalprint (aluminium dibond) |
Canvasprint (canvas op spieraam) varianten: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Acrylglas print (met echte glascoating) opties: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Formaatvarianten posterprint (canvaspapier): | 50x60cm - 20x24", 100x120cm - 39x47" |
Aluminium dibond print: | 50x60cm - 20x24", 100x120cm - 39x47" |
Kunstdruk inlijsten: | geen frame |
Stuk voor stuk kunstwerken
Naam kunstwerk: | "The Two Disciples at the Tomb" |
Kunstwerkclassificatie: | schilderij |
Categorie: | moderne kunst |
Tijd: | 20th eeuw |
Jaar: | 1906 |
Kunstwerk leeftijd: | rond 110 jaar oud |
Kunstwerk origineel medium: | olieverf op canvas |
Grootte van het originele kunstwerk: | 129,5 × 105,7 cm (51 × 41 7/8 inch) |
Kunstwerk originele handtekening: | signed, lower left: "H.O. Tanner" |
Museum: | Kunstinstituut Chicago |
Museumlocatie: | Chicago, Illinois, Verenigde Staten van Amerika |
Web-URL: | www.artic.edu |
Licentietype voor kunstwerken: | publiek domein |
Met dank aan: | Kunstinstituut Chicago |
Kredietlijn: | Robert A. Waller-fonds |
Details van de artiest
Artist: | Henry Ossawa Tanner |
Andere namen: | Henry Ossawa Tanner, Tanner Henry Ossawa, Henry Owassa Tanner, Tanner Henri Ossawa, Tanner Henry Owassa, Tanner Henri, Tanner |
Geslacht: | mannetje |
Nationaliteit artiest: | Amerikaans |
Beroepen: | schilder, universitair docent |
Land van de artiest: | Verenigde Staten |
Artiest classificatie: | moderne kunstenaar |
Overleden op de leeftijd van: | 78 jaar |
Geboortejaar: | 1859 |
Geboren in (plaats): | Pittsburgh, Allegheny County, Pennsylvania, Verenigde Staten |
Jaar overleden: | 1937 |
Plaats van dood: | Parijs, Ile-de-France, Frankrijk |
© Auteursrecht | www.artprinta.com (Artprinta)
(© Copyright - door Art Institute Chicago - Kunstinstituut Chicago)
The Art Institute acquired The Two Disciples at the Tomb in 1906 after the canvas was declared “the most impressive and distinguished work of the season” at the museum’s annual exhibition of American painting and sculpture. At that time, Henry Ossawa Tanner was at the height of his reputation, enjoying international fame and winning prizes on both sides of the Atlantic. The son of an African American bishop, Tanner was raised in Philadelphia, where he studied with Thomas Eakins before working as an artist and photographer in Atlanta. Repelled by the racial prejudice he encountered in the United States, he chose to spend nearly all of his adult life in France.