Pietro Bardellino, 1781 - Studie voor de apotheose van Ferdinand IV en Maria Carolina, koning en koningin van Napels (voor het Palazzo dei Regi Studi, Napels) - fine art print

63,99 €

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Specificaties van kunstwerken van de website van het Cleveland Museum of Art (© Copyright - Het Cleveland Museum of Art - Het Cleveland Museum of Art)

This large oil painting was thought to be an early, rough sketch for the ceiling of the Salone de Biblioteca Antica in the Palazzo degli Studi in Naples. The attribution to Bardellino was based on the sketch's similarity to another sketch by the artist, sold in New York in 1972, which is more closely related to the ceiling painting. It is assumed that the Cleveland work preceded the more finished oil sketch and that both models were created in preparation for the Palazzo degli Studi's Apotheosis, completed in 1781. The Cleveland sketch was almost completely altered in the final composition. The cartouche, or grouping of regal paraphernalia, which is the main feature of the Cleveland sketch, was omitted in the final ceiling painting. This medallion conveys the idea that the reign of the royal couple is filled with fortune. Bardellino used atmospheric colors and his delicate touch in this heavenly vision of angels and virtues, and the angels hold a chain bearing the orders of the royal family. From left to right are the Order of San Januarius, the Order of the Holy Spirit of France, the Order of the Golden Fleece (represented by the lamb), and the Order of St. George of Constantine. The large oval shape, empty in the Cleveland sketch, also appears in the final version, where the oval is smaller and frames a portrait of Ferdinand and Maria. Rather than representing an apotheosis of the bodies of the royal couple, Bardellino shows their ascent in the raising of their portraits to heaven. While the Palazzo degli Studi painting differs greatly from the Cleveland version, the oval space in the Cleveland sketch suggests Bardellino's plans for the inclusion of the royal portrait in the final ceiling painting.

Informatie over het product

De meer dan 230 Jaar oud schilderij met de titel Study forThe Apotheosis of Ferdinand IV and Maria Carolina, King and Queen of Naples(for the Palazzo dei Regi Studi, Naples) is gemaakt door de Rococo kunstenaar Pietro Bardellino in 1781. Het hiernamaals 230 year old original measures the size Framed: 187,9 x 138,4 x 10,2 cm (74 x 54 1/2 x 4 in); Unframed: 172,4 x 122,5 cm (67 7/8 x 48 1/4 in) and was painted with the medium olieverf op canvas. Tegenwoordig bevindt het kunstwerk zich in de digitale kunstcollectie van Het Cleveland Museum of Art in Cleveland, Ohio, Verenigde Staten. Met dank aan Het Cleveland Museum of Art (publiek domein). De creditline van het kunstwerk is de volgende: John L. Ontslagfonds. Bovendien is de uitlijning in staand formaat met een zijverhouding van 1: 1.4, meaning that the length is 29% shorter than the width. The painter Pietro Bardellino was an artist from Italy, whose artistic style was mainly Rococo. The Rococo painter lived for a total of 91 years - born in 1728 in Napels, provincie Napoli, Campanië, Italië en overleden in het jaar 1819.

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In the dropdown selection next to the product offering you can pick the size and materialaccording to your preferences. The following sizes and materials are the options we offer you for individualization:

  • Metaalprint (aluminium dibond): An Aluminium Dibond print is a print with an impressive depth effect - for a modern look and a non-reflective surface structure. For our Direct Aluminium Dibond option, we print the favorite artpiece onto the aluminium composite surface. The colors of the print are luminous, fine details of the print appear very clear, and you can perceive the matte appearance. The UV print on aluminium is the most popular entry-level product and is a truly modern way to showcase artworks, since it puts 100% of the viewer’s attention on the replica of the artwork.
  • Afdrukken op acrylglas: A glossy acrylic glass print, which is sometimes described as a plexiglass print, changes your selected original artwork into beautiful wall decoration. Your own replica of the artwork is being printed with modern UV direct print technology. With an acrylic glass art print contrasts and granular artwork details will be more exposed thanks to the very fine gradation. The plexiglass with real glass coating protects your selected art print against sunlight and heat for many years.
  • Poster (canvasmateriaal): De Artprinta poster print is a UV printed canvas with a slightly roughened surface texture. It is excellently suited for framing the art copy using a special frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6 cm round about the print motif, which facilitates the framing with your custom frame.
  • Canvas: A printed canvas material mounted on a wood stretcher frame. Further, a printed canvas makes a cosy and enjoyable feeling. Hanging your canvas print: Canvas Prints have the great advantage of being low in weight, which implies that it is easy and straightforward to hang the Canvas print without the support of additional wall-mounts. Canvas prints are suited for all kinds of walls.

De schilder

Naam: Pietro Bardellino
Alternatieve namen: Pietro Bardellini, Bardellino, Bardellino Pietro, Pietro Bardellino, Bardellini Pietro
Geslacht van de artiest: mannetje
Nationaliteit artiest: Italiaans
Taken van de kunstenaar: schilder
Land van de artiest: Italië
Classificatie van de artiest: oude meester
styles: Rococo
Levensduur: 91 jaar
Geboortejaar: 1728
Geboren in (plaats): Napels, provincie Napels, Campanië, Italië
Jaar van overlijden: 1819
Stad van overlijden: Napels, provincie Napels, Campanië, Italië

Gestructureerde informatie over het kunstwerk

Naam van het kunstwerk: "Study forThe Apotheosis of Ferdinand IV and Maria Carolina, King and Queen of Naples(for the Palazzo dei Regi Studi, Naples)"
Kunstwerk categorisatie: schilderij
Generieke term: klassieke kunst
Tijd: 18th eeuw
Jaar van het kunstwerk: 1781
Kunstwerk leeftijd: meer dan 230 jaar oud
Geschilderd op: olieverf op canvas
Grootte van het originele kunstwerk: Ingelijst: 187,9 x 138,4 x 10,2 cm (74 x 54 1/2 x 4 inch); Niet ingelijst: 172,4 x 122,5 cm (67 7/8 x 48 1/4 inch)
Museum: Het Cleveland Museum of Art
Museumlocatie: Cleveland, Ohio, Verenigde Staten
Verkrijgbaar bij: Het Cleveland Museum of Art
Kunstwerklicentie: publiek domein
Met dank aan: Het Cleveland Museum of Art
Kredietlijn: John L. Ontslagfonds

Gestructureerde artikeldetails

Soort artikel: Kunstafdruk
voortplanting: reproductie in digitaal formaat
Productietechniek: UV-directe print
Oorsprong van het product: geproduceerd in Duitsland
Soort voorraad: productie op aanvraag
Beoogd productgebruik: kunstreproductiegalerij, kunstdrukgalerij
Oriëntatie: portret uitlijning
Beeldverhouding: (lengte : breedte) 1 : 1.4
Implicatie beeldverhouding: de lengte is 29% korter dan de breedte
Beschikbare productstoffen: print op metaal (aluminium dibond), print op poster (canvaspapier), print op acrylglas (met echte glascoating), print op canvas
Canvas op spieraam (canvas print) opties: 50x70cm - 20x28", 100x140cm - 39x55"
Print op plexiglas (met coating van echt glas): 50x70cm - 20x28", 100x140cm - 39x55"
Posterprint (canvaspapier) formaten: 50x70cm
Aluminium print (aluminium dibond materiaal) formaat opties: 50x70cm - 20x28", 100x140cm - 39x55"
Kunstdruk inlijsten: geen frame

Juridische opmerking: We try our utmost in order to describe our products as clearly as possible and to illustrate them visually on the different product detail pages. Still, the colors of the print products, as well as the print result may vary to a certain extent from the presentation on the monitor. Depending on your settings of your screen and the quality of the surface, color pigments may not be printed as realistically as the digital version. Because all are printed and processed by hand, there may as well be minor discrepancies in the size and exact position of the motif.

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