Alessandro Magnasco, 1735 - interieur van een synagoge - fine art print

What does the The Cleveland Museum of Art write about this artwork painted by Alessandro Magnasco? (© - Het Cleveland Museum of Art - Het Cleveland Museum of Art)

The Jewish synagogue was Magnasco's favorite and most frequently painted subject, here presented in a mystical, dark, and imaginative way. Expansive architectural space creates room for a multitude of tiny, fantastical figures with elongated limbs. These characters thoroughly engage in the service as they respond with emotion and expressive gestures. Flashes of light dash across the surface against a dark, muted palette of earthy tones to create an otherworldly effect and suggest spiritual presence. The composition invites the viewer to enter the space and experience the service. Though he used characteristic elements of Baroque composition and was strongly influenced by Venetian painting, Magnasco's loose brushwork, caricature-like elongated figures, and mysterious subject matter set him apart. Magnasco peers into another world, that of a curious sector of society: he was not Jewish and probably perceived the Jews as outsiders. At the dawn of the Enlightenment in Europe, many progressive aristocratic families commissioned paintings by Magnasco, suggesting the painter's support for Enlightenment ideals such as religious tolerance. Magnasco's personal views on Judaism in Italy remain unknown.

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Het schilderij is gemaakt door de mannetje Italiaanse kunstenaar Alessandro Magnasco in 1735. De over 280 jaar oude originele creatie had de grootte: ingelijst: 140,5 x 167,5 x 6 cm (55 5/16 x 65 15/16 x 2 3/8 inch); Zonder lijst: 122 x 148,5 cm (48 1/16 x 58 7/16 inch) en is ermee beschilderd olieverf op canvas. The artpiece forms part of the digital art collection of The Cleveland Museum of Art in Cleveland, Ohio, United States of America. This public domain work of art is supplied with courtesy of Het Cleveland Museum of Art. De creditline van het kunstwerk is als volgt: Aankoop van het JH Wade Fonds. Bovendien is de uitlijning van de digitale weergave liggend en heeft deze een beeldverhouding van 1.2: 1, wat dat inhoudt de lengte is 20% langer dan de breedte. Alessandro Magnasco was a painter from Italy, whose artistic style can be attributed mainly to Baroque. The Baroque artist lived for 82 years and was born in the year 1667 in Genua, provincie Genua, Ligurië, Italië en overleden in het jaar 1749 in Genua, provincie Genua, Ligurië, Italië.

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Voor elk product bieden wij een scala aan verschillende materialen en maten. De volgende maten en materialen zijn de opties die wij u bieden voor individualisering:

• Aluminium dibond print: Aluminium Dibond prints are prints on metal with a true depth effect. The bright parts of the original artpiece shimmer with a silk gloss, however without the glare. The colors are luminous, the details appear clear and crisp, and there’s a matte appearance that you can literally feel.
• Canvas: The printed canvas, which should not be confused with an artwork painted on a canvas, is an image printed directly on canvas. Canvas prints are relatively low in weight, which means that it is easy to hang up your Canvas print without additional wall-mounts. Because of thatcanvas prints are suitable for all kinds of walls in your house.
• Print op plexiglas (met coating van echt glas): An acrylic glass print, which is sometimes named as a fine art print on plexiglass, will transform the original into marvellous décor. The plexiglass protects your chosen fine art print against light and heat for between 4 and 6 decades.
• Gedrukte affiche (canvasmateriaal): Our poster print is a printed sheet of canvas with a slight structure on the surface. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the print, which facilitates the framing.

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Wettelijke disclaimer: We try everythig possible in order to depict the art products with as many details as possible and to exhibit them visually in our shop. However, some tone of the printing material, as well as the print result may diverge to a certain extent from the presentation on the device's screen. Depending on your settings of your screen and the nature of the surface, not all colors can be printed one hundret percent realistically. Given that all our are processed and printed manually, there may as well be slight discrepancies in the size and exact position of the motif.

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