Anthony van Dyck, 1621 - Thomas Howard, 2de Graaf van Arundel - fine art print

"Thomas Howard, 2nd Earl of Arundel" is a masterpiece created by the baroque Nederlands schilder Antonius van Dyck in 1621. Het origineel meet de grootte - 102,6 x 79,7 cm. Oil on canvas was applied by the artist as the technique for the piece of art. This piece of art can be viewed in in the Het J. Paul Getty Museum art collection, which is part of the J. Paul Getty trust and is one of the world's largest arts organizations worldwide. It seeks to inspire curiosity about, and enjoyment and understanding of, the visual arts by collecting, conserving, exhibiting, and interpreting works of art of outstanding quality and historical importance.. With courtesy of - The J. Paul Getty Museum (licensed - public domain).: . Moreover, alignment of the digital reproduction is Portret met een beeldverhouding van 3: 4, Waardoor de lengte is 25% korter dan de breedte. Anthony van Dyck was a male translator, author, dramaturge, painter, theater director, etcher, whose art style can mainly be attributed to Baroque. The Dutch artist was born in 1599 in Antwerpen, provincie Antwerpen, Vlaanderen, België en stierf op de leeftijd van 42 in 1641.

Original artwork description by The J. Paul Getty Museum (© - The J. Paul Getty Museum - www.getty.edu)

Depicted three-quarter length, the Earl of Arundel sits before a tapestry curtain on the left and a landscape background on the right. The long, tapering fingers of his left hand hold the gold medallion of Saint George, one of the emblems worn by the twenty-four knights who made up the most eminent and noble circle around the king. His elongated, pale face contrasts with the white ruff around his neck and the scarlet chair upon which he sits. Turned slightly towards the viewer, the expression on Arundel's face is alert but reserved.

Arundel was one of the great patrons and collectors of art in England in the early 1600s. He was best known for his collection of Venetian paintings, which included works by Titian, Tintoretto, and Veronese. During a brief first visit to London around 1621, Anthony van Dyck was commissioned to paint this portrait for Arundel, who recognized the young artist's talent.

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• Poster (canvasmateriaal): De Artprinta poster is a printed canvas with a slight finish on the surface, that reminds the actual masterpiece. Please note, that depending on the size of the poster print we add a white margin of something between 2 - 6cm round about the artwork to facilitate the framing with your custom frame.
• Afdrukken op acrylglas: An print on acrylic glass, often named a print on plexiglass, will transform your favorite artwork into amazing décor. Your own replica of the work of art will be printed with the help of state-of-the-art UV direct printing technology. Our acrylic glass protects your selected fine art print against light and heat for many years.
• Canvasafdruk: The canvas print is a printed cotton canvas mounted on a wooden frame. Canvas prints are relatively low in weight. That means, it is easy to hang your Canvas print without the help of any wall-mounts. Canvas prints are suitable for any kind of wall.
• Aluminiumprint (aluminiumdibond): This is a metal print made on aluminium dibond with an impressive depth - for a modern impression and a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is your best start to the sophisticated world of fine art prints with aluminum. The bright & white components of the work of art shimmer with a silky gloss but without glare. The colors are bright and luminous in the highest definition, the details of the print appear very clear, and you can truly feel the matte appearance of the art print surface.

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Important note: We try all that we can in order to depict the products with as many details as possible and to showcase them visually. Nonetheless, the colors of the printed materials and the print result can differ marginally from the representation on your screen. Depending on the screen settings and the condition of the surface, color pigments may not be printed as realistically as the digital version. In view of the fact that all our are printed and processed manually, there may as well be slight variations in the motif's size and exact position.

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