Joseph Mallord William Turner, 1808 - The Straw Yard (Liber Studiorum, deel II, plaat 7) - fine art print

Specificaties van het product

Deze moderne kunst meesterwerk met de titel The Straw Yard (Liber Studiorum, part II, plate 7) werd geschilderd door de mannetje Britse kunstenaar Joseph Mallord William Turner in het jaar 1808. Het origineel heeft het volgende formaat: plate: 7 1/4 x 10 in (18,4 x 25,4 cm) sheet: 8 1/8 x 11 1/2 in (20,6 x 29,2 cm). Etching, mezzotint, and drypoint; first state of four was applied by the British artist as the technique for the painting. Today, the artpiece is part of the Het Metropolitan Museum of Art digitale kunstcollectie. Met dank aan Het Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1928 (public domain license). Additionally, the artwork has the following creditline: Harris Brisbane Dick Fund, 1928. Further, the alignment is Landschap met een verhouding van 1.4: 1, which means that the length is 40% longer than the width. Joseph Mallord William Turner was a male painter, whose art style was primarily Romanticism. The European artist was born in 1775 in London, Greater London, England, United Kingdom and deceased at the age of 76 in 1851.

Mogelijke materiaalkeuzes

For every product we offer a range of different materials & sizes. Select your favorite material and size between the options:

• De print op plexiglas: An print on acrylic glass, often described as a plexiglass print, will convert the original work of art into wall décor.
• De posterprint (canvasmateriaal): Our poster print is a UV printed sheet of cotton canvas with a fine surface structure. A print poster is excellently used for placing your art replica with the help of a custom-made frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2 - 6cm around the print, which facilitates the framing with your custom frame.
• Canvas: A canvas print is a printed cotton canvas stretched on a wooden frame. A canvas creates the special effect of three dimensionality. Additionally, a canvas print produces a nice and pleasing appearance. Your canvas print of your favorite work of art will provide you with the opportunity of transforming your new fine art print into a large size work of art. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang your Canvas print without any wall-mounts. Therefore, canvas prints are suitable for all types of walls.
• Aluminium dibond print: These are metal prints on aluminium dibond material with an outstanding depth effect. The non-reflective surface structure make a fashionable look. A direct Aluminium Dibond Print is your ideal start to fine replicas made with aluminum. The white and bright parts of the original artwork shine with a silk gloss, however without any glow. Colors are bright and luminous in the highest definition, the details of the print appear crisp, and the print has a a matte appearance that you can literally feel.

Disclaimer: We try to depict our products as precisely as it is possible and to illustrate them visually. Please bear in mind that the tone of the printing material and the print result might diverge to a certain extent from the representation on your device's monitor. Depending on your screen settings and the condition of the surface, not all color pigments are printed as exactly as the digital version. In view of the fact that all art prints are printed and processed manually, there might also be slight differences in the motif's exact position and the size.

Over het product

Achtergrondinformatie over het originele kunstwerk

Samenvatting van de artiest

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Algemene informatie door The Metropolitan Museum of Art (© Copyright - Het Metropolitan Museum of Art - Het Metropolitan Museum of Art)

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a rustic scene, which the artist himself referred to as "The White Horse." In front of a thatched barn, men load bales onto a haystack near resting horses. The letter "P" in the upper margin indicates Turner's category of Pastoral landscape.