Charles Le Brun, 1660 - Everhard Jabach (1618-1695) en zijn familie - fine art print

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Deze klassieke kunst kunstwerk genoemd Everhard Jabach (1618–1695) and His Family werd geschilderd door de mannetje schilder Charles Le Brun. De meer dan 360 jaar oude originele creatie had de volgende afmetingen: 110 1/4 x 129 1/8 inch (280 x 328 cm) en is gemaakt met de techniek of oil on canvas. The artwork belongs to the digital collection of Het Metropolitan Museum of Art in New York City, New York, Verenigde Staten van Amerika. Dit meesterwerk, dat behoort tot de publiek domein wordt geleverd met dank aan The Metropolitan Museum of Art, New York, Purchase, Mrs. Charles Wrightsman Gift, in honor of Keith Christiansen, 2014. : Purchase, Mrs. Charles Wrightsman Gift, in honor of Keith Christiansen, 2014. Besides this, the alignment of the digital reproduction is in Landschap formaat and has an image ratio of 1.2 : 1, which means that the length is 20% longer than the width. The architect, painter, decorator Charles Le Brun was a European artist from France, whose style can be classified as Baroque. The European painter lived for 71 jaar en werd geboren in het jaar 1619 in Parijs, Ile-de-France, Frankrijk en stierf in 1690 in Parijs, Ile-de-France, Frankrijk.

Uw product product materiaal opties

Voor elk product bieden we verschillende maten en materialen aan. De volgende maten en materialen zijn de opties die wij u bieden voor individualisering:

• Print op glanzend acrylglas (met coating van echt glas): A glossy print on acrylic glass, which is often denoted as a plexiglass print, changes an artwork into beautiful wall decoration. The artwork will be custom-made with the help of modern UV direct printing machines. The real glass coating protects your chosen art print against light and external influences for many years to come.
• Gedrukte poster op canvas materiaal: De Artprinta poster print is a UV printed canvas with a slight surface structure. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm round about the print to facilitate the framing with your custom frame.
• Metaal (aluminium dibond print): These are metal prints on aluminium dibond material with a true depth effect. The Direct Print on Aluminum Dibond is your best start to reproductions with aluminum. For your Direct Print On Aluminum Dibond, we print your chosen artpiece onto the aluminium white-primed surface. Colors are luminous and vivid in the highest definition, fine details of the print appear very clear.
• De canvasafdruk: The printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital image printed onto canvas material. Your canvas print of your favorite masterpiece will let you turn your custom art print into a large artpiece as you know from galleries. Canvas Prints have the advantage of being relatively low in weight, which means that it is quite simple to hang up your Canvas print without the use of any wall-mounts. Canvas prints are suitable for all types of walls.

Belangrijke juridische opmerking: We try what we can to describe our products in as much detail as possible and to exhibit them visually. Please keep in mind that the colors of the print products and the printing may diverge marginally from the image on your screen. Depending on the settings of your screen and the quality of the surface, not all colors are printed 100% realistically. Since all art reproductions are processed and printed manually, there might as well be slight deviations in the motif's size and exact position.

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© Auteursrecht van - www.artprinta.com (Artprinta)

Originele kunstwerkbeschrijving uit het museum (© - door The Metropolitan Museum of Art - Het Metropolitan Museum of Art)

This painting combines the domestic intimacy and descriptive richness of Dutch and Flemish art, which Jabach collected and admired, with the measured formal organization and allegorical allusions characteristic of French portraiture. Everhard Jabach (1618–1695), dressed in black, is seated in the company of his wife and their four children. Although Le Brun presents an arresting portrayal of each sitter, much of the composition is given over to Jabach and the emblems of his cultural interests and, through the artist’s reflection in the mirror, his association with France’s leading painter. Le Brun’s canvas must have been executed around 1660, which also coincides with the construction of his grand new Parisian house.