William P. Chappel, 1870 - de hondenmoordenaar - kunstdruk

What does the The Metropolitan Museum of Art write about the 19th century work of art created by William P. Chappel? (© - by The Metropolitan Museum of Art - Het Metropolitan Museum of Art)

Walking New York’s streets, one risked being bitten by one of thousands of roaming dogs—some feral, others beloved pets—that lived off street refuse. This scene depicts the effects of one infamous attempt at dog population control. According to Catherine McNeur in "Taming Manhattan: Environmental Battles in the Antebellum City," an 1811 law mandated a tax of three dollars per dog (about a week’s wages for an ordinary laborer) and the killing of unregistered canines (bounty hunters earned fifty cents per carcass). The summer of 1811 alone saw more than twenty-six hundred dogs slaughtered (pp.13-15). Many decried the killings as an economically prejudicial affront to common decency. This victim appears to have met his end on the doorstep of Daniel Davis, a boardinghouse owner at 359 Water Street.

In 1870 de schilder William P. Chappel created the masterpiece. The version of the work of art measures the size: 6 1/8 x 9 1/4 inch (15,6 x 23,5 cm). Oil on slate paper was used by the American painter as the medium of the artpiece. It is in the the The Metropolitan Museum of Art's digital collection located in New York City, New York, Verenigde Staten van Amerika. Met dank aan - Het Metropolitan Museum of Art, New York, de Edward WC Arnold-collectie van New Yorkse prenten, kaarten en afbeeldingen, legaat van Edward WC Arnold, 1954 (publiek domein). Creditline van het kunstwerk: De Edward WC Arnold-collectie van prenten, kaarten en afbeeldingen uit New York, legaat van Edward WC Arnold, 1954. Moreover, alignment is landscape with a side ratio of 3 : 2, which implies that the length is 50% longer than the width.

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Voor elk product bieden we verschillende materialen en maten aan. U kunt kiezen uit de volgende productaanpassingsopties:

• Aluminium dibond print: These are metal prints on aluminium dibond with an outstanding depth - for a modern look and a non-reflective surface structure. Colors are vivid and luminous in the highest definition, fine details are crisp.
• Canvasafdruk: A UV printed canvas mounted on a wood stretcher frame. It makes the typical effect of three dimensionality. A canvas print has the advantage of being low in weight, meaning that it is easy to hang up your Canvas print without additional wall-mounts. That is why, a canvas print is suited for all types of walls.
• Print op plexiglas (met coating van echt glas): A glossy print on acrylic glass, which is often described as a UV print on plexiglass, will turn the original into wonderful wall decoration. Your work of art is custom-made thanks to the help of modern UV direct print technology. It makes sharp, rich colors.
• De posterafdruk (canvasmateriaal): The poster print is a UV printed flat canvas with a fine texture on the surface, which resembles the actual work of art. It is ideally appropriate for placing the art copy in a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2 - 6cm round about the painting to facilitate the framing with your custom frame.

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Juridische opmerking: We try everything in order to depict the art products as precisely as possible and to illustrate them visually. Please keep in mind that the tone of the printed materials and the print result can vary somehwat from the presentation on your screen. Depending on the screen settings and the quality of the surface, colors may not be printed as exactly as the digital version. Given that all the art reproductions are printed and processed by hand, there may also be slight discrepancies in the size and exact position of the motif.

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