John Singer Sargent, 1888 - mevrouw Charles Deering (Marion Denison Whipple) - fine art print

59,99 €

Inclusief BTW Verzendkosten berekend Bij de kassa.

Dit schilderij met de titel Mrs. Charles Deering (Marion Denison Whipple) is gemaakt door de mannetje schilder John Singer Sargent in 1888. Het origineel is beschilderd met het formaat: 71,1 × 61 cm (28 × 24 inch). Olieverf op canvas was applied by the North American painter as the medium of the painting. Nowadays, this artwork is in the the Kunstinstituut Chicago's collectie in Chicago, Illinois, Verenigde Staten van Amerika. Met dank aan: Art Institute Chicago (licentie: publiek domein). : Anonieme lening. Verder is uitlijning Portret met een verhouding van 1: 1.2, which implies that the length is 20% shorter than the width. The painter John Singer Sargent was a North American artist from United States, whose art style can mainly be attributed to Impressionism. The American painter lived for a total of 69 jaar, born in the year 1856 in Florence, Firenze province, Tuscany, Italy and died in the year 1925 in London, Greater London, England, United Kingdom.

Selecteer uw productmateriaal

Voor elk product bieden we verschillende maten en materialen aan. U kunt uw favoriete maat en materiaal kiezen uit de volgende opties voor productpersonalisatie:

  • Print op glanzend acrylglas: A glossy print on acrylic glass, which is sometimes named as a UV print on plexiglass, will turn the original artwork into great décor. The plexiglass with real glass coating protects your custom fine art print against light and external influences for between four and 6 decades.
  • Canvasafdruk: The UV printed canvas material stretched on a wood frame. Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy to hang up the Canvas print without the support of extra wall-mounts. Canvas prints are suitable for any kind of wall.
  • Aluminium dibond print (metaal): An Aluminium Dibond print is a material with an impressive depth - for a modern impression and a non-reflective surface. A direct Aluminium Dibond Print is the perfect start to art reproductions with aluminum. For our Aluminium Dibond option, we print your chosen work of art onto the surface of the white-primed aluminum material. The bright & white parts of the original artwork shine with a silk gloss, however without glow.
  • Affiche afdrukken (canvasmateriaal): The poster print is a printed sheet of flat canvas paper with a slight surface texture, which resembles the original work of art. A printed poster is perfectly designed for placing the art replica in a special frame. Please bear in mind, that depending on the size of the poster we add a white margin 2-6cm around the print to facilitate the framing with a custom frame.

Juridische opmerking: We try whatever we can in order to describe our art products as closely as possible and to demonstrate them visually on the different product detail pages. Still, the pigments of the printing material and the print result might differ slightly from the representation on the device's monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments can be printed 100% realistically. Because our art reproductions are processed and printed by hand, there may also be minor discrepancies in the motif's exact position and the size.

Artikel informatie

Artikel classificatie: kunst aan de muur
Reproductiemethode: digitale reproductie
Productieproces: UV-direct printen
Productie: Duits gemaakt
Soort voorraad: on demand
Gebruik van het product: huisontwerp, wanddecoratie
Uitlijning van de afbeelding: staand formaat
Beeldverhouding: lengte tot breedte 1 : 1.2
Implicatie: de lengte is 20% korter dan de breedte
Materialen die u kunt kiezen: print op metaal (aluminium dibond), print op poster (canvaspapier), print op acrylglas (met echte glascoating), print op canvas
Canvas print (canvas op spieraam) grootte opties: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylglas print (met echte glascoating) opties: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Posterprint (canvaspapier): 50x60cm - 20x24", 100x120cm - 39x47"
Dibond print (alumnium materiaal) maatvarianten: 50x60cm - 20x24", 100x120cm - 39x47"
Fotolijst: geen frame

Kunstwerk tafel

Titel van het schilderij: "Mrs. Charles Deering (Marion Denison Whipple)"
Classificatie van het kunstwerk: schilderij
Overkoepelende term: moderne kunst
Eeuw: 19th eeuw
Jaar van creatie: 1888
Kunstwerk leeftijd: over 130 jaar oud
Geschilderd op: olieverf op canvas
Grootte van het originele kunstwerk: 71,1 × 61 cm (28 × 24 inch)
Museum / collectie: Kunstinstituut Chicago
Locatie van het museum: Chicago, Illinois, Verenigde Staten van Amerika
Verkrijgbaar bij: Kunstinstituut Chicago
Licentie van kunstwerk: publiek domein
Met dank aan: Kunstinstituut Chicago
Kunstwerk kredietlijn: Anonieme lening

Tabel met artiestgegevens

Artiestennaam: John Singer Sargent
Ook gekend als: Sargent John, Sargent John S., Sargeant John Singer, sargent j.s., Sargent, J. s. Sargent, J. Singer Sargent, js sargent, John Singer Sargent, john s. sargent, sargent john singer, J.S. Sargent, Sargent John Singer, J. Sargent, Sargent John-Singer, john sargent
Geslacht artiest: mannetje
Nationaliteit: Amerikaans
Beroepen van de kunstenaar: schilder
land: Verenigde Staten
Classificatie van de artiest: moderne kunstenaar
Stijlen van de artiest: Impressionisme
Levensduur: 69 jaar
Geboren in het jaar: 1856
Geboren in (plaats): Florence, provincie Firenze, Toscane, Italië
Overleden in het jaar: 1925
Plaats van dood: Londen, Groot-Londen, Engeland, Verenigd Koninkrijk

Deze tekst is auteursrechtelijk beschermd © | www.artprinta.com (Artprinta)

Original information about the artwork by the museum's website (© Copyright - Art Institute Chicago - www.artic.edu)

The sitter was the wife of Charles Deering, Chicago businessman, important benefactor of the Art Institute, and lifelong friend and patron of artist John Singer Sargent. In this half-length portrait, the painter depicted Marion Deering seated with her right arm resting on a chairback, her eyes engaging the viewer. Sargent rendered her face and hand with a high degree of finish, skills he had fine-tuned in the 1870s while a student in Paris. The broader handling of paint in her dress and its lace embellishments signals Sargent’s facility with the tactile and expressive possibilities of paint. Indeed, in the mid-1880s, Sargent not only worked in portraiture, but also experimented with the themes and vocabularies of Impressionism.

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