Franz Anton Maulbertsch, 1750 - Studie voor de presentatie van Christus in de tempel (voor Saint Ulrich, Wenen) - fine art print

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Het klassieke kunstschilderij genaamd Study forThe Presentation of Christ in the Temple(for Saint Ulrich, Vienna) werd geschilderd door de barok kunstenaar Frans Anton Maulbertsch in 1750. The original has the following following size: ingelijst: 90 x 70 x 9 cm (35 7/16 x 27 9/16 x 3 9/16 inch); Zonder lijst: 69,5 x 52,3 cm (27 3/8 x 20 9/16 inch) en werd beschilderd met de techniek oil on canvas. Today, this work of art forms part of the digital collection of The Cleveland Museum of Art, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. We are pleased to reference that the artpiece, which belongs to the publiek domein wordt geleverd met dank aan Het Cleveland Museum of Art. : De heer en mevrouw William H. Marlatt Fund. Daarnaast is de uitlijning van de digitale reproductie Portret en heeft een zijverhouding van 3: 4, meaning that the length is 25% shorter than the width. The painter Franz Anton Maulbertsch was an artist, whose style was primarily Baroque. The artist was born in 1724 in Langenargen, Baden-Wurttemberg, Germany and passed away at the age of 72 in the year 1796 in Vienna, Vienna state, Austria.

Beschrijving door de website van het museum (© - Het Cleveland Museum of Art - Het Cleveland Museum of Art)

This loosely painted sketch is the preliminary design for an altarpiece in the Church of Saint Ulrich, Vienna. Mary and Joseph have brought the infant Jesus to the temple to be inducted into the Jewish faith; the aged priest Simeon cradles the infant in his arms, turning his gaze to heaven as he realizes that he is holding the Son of God. Strong contrasts of light and shadow underscore the drama of the moment. The frame is not original to this painting, but was made by an Austrian craftsman in the mid-1700s. Its florid style suits Maulbertsch’s flickering brushwork, and reflects the tradition of wood sculpture from Central Europe seen in other objects in the CMA's collection.

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Juridische opmerking: We try to depict the art products with as many details as possible and to illustrate them visually on the various product detail pages. Nevertheless, the colors of the print materials and the print result can vary marginally from the presentation on your device's monitor. Depending on the settings of your screen and the quality of the surface, colors may not be printed 100% realistically. Given that all our art reproductions are processed and printed by hand, there might also be slight variations in the motif's exact position and the size.

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