Hans Makart, 1867 - Portret Eugenie Scheuffelen - fine art print

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Het over 150 years old piece of art was painted by Hans Makart. De 150 jaar oude versie van het kunstwerk meet de grootte - 158 x 113 cm - frame: 233 x 179 x 20 cm afmetingen doos: 259 × 228,5 × 31 cm and was made with the medium oil on canvas. The painting has the following text as inscrption: "designation bottom left: Hans Makart". The work of art is included in the collection of Belvedere, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. This public domain work of art is being supplied with courtesy of © Belvedere, Wenen, inventarisnummer: 2363. Creditline van het kunstwerk: purchase from Michael Szamek, Vienna in 1922. Bovendien is de uitlijning in portret formaat met een beeldverhouding van 1: 1.4, Waardoor de lengte is 29% korter dan de breedte. The painter Hans Makart was a European artist, whose art style was primarily Historicism. The European painter lived for a total of 44 jaar en is geboren in 1840 in Salzburg, Salzburg, Oostenrijk en overleden in 1884.

Beschikbare productmaterialen

Voor elk product bieden we verschillende materialen en maten aan. Daarom laten we u kiezen uit de volgende opties:

• Metaalprint (aluminium dibond): These are metal prints on aluminium dibond material with a true depth effect, which creates a fashionable impression with a non-reflective surface structure. A direct Aluminium Dibond Print is the best introduction to art reproductions on aluminum.
• De posterprint (canvasmateriaal): Our poster print is a printed sheet of canvas paper with a fine finish on the surface. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm round about the work of art to facilitate the framing with your custom frame.
• De canvasafdruk: A printed canvas applied on a wooden stretcher frame. Your canvas of this artwork will provide you with the opportunity of turning your art print into a large artpiece like you would see in a gallery. How do I hang a canvas on my wall? Canvas prints are relatively low in weight. That means, it is quite simple to hang your Canvas print without additional wall-mounts. Therefore, canvas prints are suitable for all kinds of walls.
• Print op glanzend acrylglas (met coating van echt glas): A glossy acrylic glass print, often described as a UV print on plexiglass, transforms an original into lovely home decoration.

Wettelijke disclaimer: We try our utmost to describe our art products in as much detail as possible and to illustrate them visually. Please keep in mind that the colors of the printed materials, as well as the imprint might diverge to a certain extent from the representation on your monitor. Depending on your screen settings and the quality of the surface, colors can unfortunately not be printed one hundret percent realistically. Bearing in mind that all art reproductions are processed and printed manually, there might as well be slight differences in the motif's exact position and the size.

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Originele informatie over het kunstwerk van Belvedere (© - door Belvedere - Belvedere)

See perhaps some version in Kaiserslautern. Previously created. [See. Frodl, Makart, 2013, cat. No. 103] From Eugenie Scheuffelen there is a marble bust of Adolf von Hildebrand, the written in 1878. "The beautiful daughter of Friedrich Bruckmann, Eugenie (d. 1919), was considering a serious financial crisis of Bruckmann's publishing company with the very wealthy mill-heirs Alfred Schäuffelen, Irene Hildebrand's brother married. Ignaz von Dollinger, the Eugenie later persuaded her Hildebrand sitting at a bust, trust the couple and left him a close family friend in Munich Eugenie was popular not only for their beauty and mental agility because -. Lenbach painted them multiple, but belonged to her salon and her capricious artist festivals in the sensational events of this city around the turn of the century. in the fall of 1878, the couple Schäuffelen at Hildebrand during this time modeled Hildebrand held in Florence on. the bust of Eugenie, at the same time he painted a life-size profile of her (Irene coupling of Auguste Schäuffelen, October 16, 1878, archive) . "[from: Angela Hass, Adolf von Hildebrandt, The plastis che Portrait, Munich 1984, p. 26, No. 27]