John Wesley Jarvis, 1812 - Portret van Rachel Van der Beek - fine art print

Het kunstwerk Portrait of Rachel Van der Beek gemaakt door de moderne kunstenaar John Wesley Jarvis als je nieuwe kunstafdruk

Het 19e-eeuwse kunstwerk genaamd Portrait of Rachel Van der Beek werd geschilderd door de mannetje artist John Wesley Jarvis. The piece of art was made with the size 34 1/8 x 26 13/16 inch (86,68 x 68,1 cm). Oil on wood panel was applied by the artist as the technique for the masterpiece. This artpiece is in the the Kunstmuseum van Los Angeles County digitale kunstcollectie, het grootste kunstmuseum in het westen van de Verenigde Staten, met een collectie van meer dan 142.000 objecten die 6.000 jaar artistieke expressie over de hele wereld belichten. De moderne kunst kunstwerk, dat behoort tot de publiek domein wordt geleverd met dank aan Kunstmuseum van Los Angeles County (www.lacma.org).: . In addition to this, the alignment of the digital reproduction is portrait and has a side ratio of 3: 4, wat betekent dat de lengte 25% korter is dan de breedte.

What does the original description of the Los Angeles County Museum of Art say about the 19th century work of art from the painter John Wesley Jarvis? (© Copyright - Los Angeles County Museum of Art - www.lacma.org)

Notes from the Curator: The sitters both descended from very old Dutch families of New Jersey Isaack Van der Beek (by 1805 he spelled his name Isaac Vanderbeck) was born in Hackensack on October 29, 1743, and died in New York on May 27,1833. On November 27,1767, he married Rachel Ryerson of Saddle River. She was born on May 13, 1751, and died in New York on February 23, 1825. Their only child was a daughter, Ann. Isaac Van der Beek was active in the patriot militia during the Revolutionary War. In 1791 he was an elder of the Dutch Church in Hackensack and in 1805 president of the town’s board of trustees. The couple is listed in the New York census of 1810 but not the census of 1820, although their wills, hers in 1823 and his in 1833, describe them as residents of New York. Their estates consisted primarily of real estate in New York and Newburgh, New Jersey. The portraits have been attributed to several different artists. They were originally sold in 1918 and in the 1920s as by GILBERT STUART, with a statement of authenticity from Jonce I. McGurck. Lawrence Park felt they were by John Vanderlyn (1775-1852). William Sawitzky attributed them to James Frothingham (1786-1864). The staff of the Frick Art Reference Library and also Harold E. Dickson felt they were by John Wesley Jarvis. This last attribution seems to be the correct one, judging especially from the clarity of the spirited likenesses and the summary fashion in which the arms and hands are painted. According to family tradition, they were painted in 1807, which would have been about the time the couple moved to New York, but a relative fluency of technique suggests that Jarvis may have painted them as much as five years later.

Notes from the Contributor: Painting by John Wesley Jarvis (Museum: Los Angeles County Museum of Art)

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