Simon Denis, 1786 - Bergachtig landschap bij Tivoli - fine art print

Specificaties van het genoemde kunstwerk Bergachtig landschap bij Tivoli

In 1786 de schilder Simon Dennis maakte de 18th eeuw schilderij met de titel Bergachtig landschap bij Tivoli. De originele versie van het meesterwerk meet de grootte: 7 x 12 1/2 inch (17,8 x 31,8 cm). Olieverf op papier was applied by the Dutch painter as the medium of the painting. This artwork is part of the art collection of Het Metropolitan Museum of Art, een van 's werelds grootste en mooiste kunstmusea, met meer dan twee miljoen kunstwerken verspreid over vijfduizend jaar wereldcultuur, van de prehistorie tot heden en uit alle delen van de wereld.. Met dank aan - The Metropolitan Museum of Art, New York, The Whitney Collection, Schenking van Wheelock Whitney III, en Aankoop, Schenking van de heer en mevrouw Charles S. McVeigh, door ruil, 2003 (gelicentieerd - publiek domein). Furthermore, the artwork has the creditline: The Whitney Collection, Gift of Wheelock Whitney III, and Purchase, Gift of Mr. and Mrs. Charles S. McVeigh, by exchange, 2003. Furthermore, alignment of the digital reproduction is Landschap met een verhouding van 16: 9, wat dat inhoudt de lengte is 78% langer dan de breedte.

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• Posterprint (canvasmateriaal): Our poster print is a printed cotton canvas with a fine finish on the surface, which resembles the original artwork. A print poster is excellently appropriate for framing your art replica using a personal frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6 cm round about the print in order to facilitate the framing with your custom frame.
• Print op plexiglas (met coating van echt glas): A glossy print on acrylic glass, often described as a plexiglass print, will convert the original artwork into great home decoration. Moreover, the acrylic glass art print forms a distinct alternative option to canvas and aluminidum dibond fine art prints. The work of art is printed with the help of modern UV direct printing machines. With an acrylic glass art print sharp contrasts as well as smaller painting details will be identifiable because of the delicate tonal gradation in the picture. The plexiglass with real glass coating protects your selected fine art print against sunlight and heat for up to 60 years.
• Canvasafdruk: A printed canvas, which should not be mistaken with a painting on a canvas, is an image printed directly on cotton canvas. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up your Canvas print without the help of any wall-mounts. Canvas prints are suitable for all types of walls.
• Aluminium dibond: Aluminium Dibond prints are metal prints with a true depth. The non-reflective surface structure make a fashionable impression. For our Aluminium Dibond option, we print your artwork on the aluminium composite white-primed surface. The white and bright sections of the work of art shine with a silky gloss, however without the glow. The colors of the print are bright and luminous, fine details are crisp and clear.

Disclaimer: We do all that we can to describe our products as accurate as it is possible and to showcase them visually on the various product detail pages. However, the tone of the printed materials and the imprint may diverge slightly from the representation on your device's monitor. Depending on the screen settings and the condition of the surface, colors might not be printed one hundret percent realistically. Considering that our fine art prints are processed and printed manually, there might also be slight discrepancies in the motif's size and exact position.

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Originele kunstwerkbeschrijving zoals verstrekt door het museum (© Copyright - Het Metropolitan Museum of Art - www.metmuseum.org)

This sketch may depict the hills to the north of the road into Tivoli from Vicovaro, suggesting a kinship with the view Denis painted of the latter town (2003.42.22) that is underscored not only by its size but by its sensibility. Denis defines the recession of landscape elements—from the field in the foreground to the line of trees and the escarpment beyond—mostly in green tones, with contrasting pink in the sky.