Josef Lauer, 1839 - Blumentstillleben - kunstdruk

(© - door Belvedere - www.belvedere.at)

The magnificent flower and fruit bouquets that have arisen in the early 19th century in the imperial city Vienna, can not be described as a Viennese invention. Het is veeleer een kwestie van het oppikken van de Nederlandse schilderkunst van de 17e en 18e eeuw in topvorm beeldtype. Veel van deze werken kende de Weense kunstenaar uit de collecties van de Oostenrijkse adel, de Akademiegalerij en de Keizerlijke Schilderijengalerij. Van deze prachtige arrangementen werd uiteindelijk de onnadenkendheid overgenomen bij de selectie van bloemen en vruchten, die meestal plaatsvond op basis van kleur- en formele criteria, maar zelden de werkelijkheid weerspiegelen omdat veel van de verenigd in de schilderijfabriek elkaar in werkelijkheid nooit vinden zoals ze in verschillende tijden zijn. bloeien. Cruciaal voor dit visuele en gekleurde "Vuurwerk" was de smaak van de koper, evenals zijn neiging tot decoratief. Als basis voor een optimale combinatie werden daarom studiebladeren gebruikt bij bloemen die zowel in de bloemenschilderschool van de Keizerlijke Academie voor Schone Kunsten als in de verschillende kassen aanwezig waren. In combinatie met sierlijke vazen, bekers of kleine sculpturen, achter landschapsgezichten of belangrijke schilderijen uit het verleden, ontwikkelden deze representaties uiteindelijk fantasierijke structuren die voldeden aan de behoeften van de klant aan representatie. Ze werden beschouwd als juwelen, als sieraad van de salon. De Weense humor in deze schilderijen komt tot uiting in de rijke kleuren en een bijna tastbare, sensuele aanwezigheid van het onderwerp. In this richly varied variety of still life, the works of Josef Lauer take from almost simple. Lauer did not try the viewer's eye through a form and color noise to hide, because he built his bouquets on only a few individual elements. It is also just about a bunch of wild roses, which has been joined by a winch. The flowers were placed in a large glass and parked in a stone window niche without a formative hand would have taken a closer look it. The chance to be decisive here. For this, the Rosenzweig carelessly lying at the foot of the glass speak as well as on all sides down tending flowers. So it was not the optimal presentation of plants, which sought the artist here, but the reference to their naturalness. However, for lurking this naturalness also had in turn limits, because as far as the slightly older colleague Ferdinand Georg Waldmüller (1793-1865), of the roses has held in its various stages of bloom up to the state of withering in the picture, he still was not able to walk. In addition, a certain urge to elaborate figures makes itself in the present illustration noticeable is like to see the course of the creeping ivy, or even in the lighting, which specifically emphasizes one or another detail. The leaves and flowers but refer to a detailed study of the nature, the exact reproduction of what is seen is particularly evident in the detailed drawing of red rows of prongs on the rose branches to buds. This accurate representation of natural forms is based on meticulous studies that the artist already operated as a student at the Vienna Academy and a life has continued for. Opvallend aan de stillevens van Josef Lauer is ook de opname van vogels en insecten in zijn afbeeldingen. So also this bouquet buzz around ever so slightly more butterflies, as an admiral and a cabbage white at the bottom. Top left you see a burnet, also called blood droplets, and in the center of the image rests a male Bluebird with half the collapsed wings on a rose petal. The green iridescent beetle on flat stone is a rose beetle which probably nibble of the fallen to the ground Rose pollen.

Specificaties van het kunstwerk, dat de titel heeft "Blumenstillleben"

In 1839 de schilder Josef Lauer painted the 19th century work of art. The original was painted with the size: 52,5 x 45 cm - afmetingen lijst: 65 x 54 x 7 cm and was manufactured on the medium oil on canvas. The artwork's inscription is - "signed and dated lower right: Jos: Lauer 1839". It forms part of the Belvedere's digital collection located in Wenen, Oostenrijk. We zijn verheugd te kunnen melden dat de publiek domein meesterwerk wordt geleverd met dank aan © Belvedere, Wenen, inventarisnummer: 8045. Daarnaast heeft het kunstwerk de creditline: overdracht van het Kunsthistorisches Museum, Wenen in 1987. Verder is uitlijnen in Portret formaat met een beeldverhouding van 1: 1.2, wat dat inhoudt de lengte is 20% korter dan de breedte. Josef Lauer was a male painter, whose artistic style can be classified as Realism. The European painter was born in the year 1818 in Vienna, Vienna state, Austria and died at the age of 63 in 1881 in Vienna.

Selecteerbare materialen

Voor elk product bieden we een scala aan verschillende materialen en maten. U kunt kiezen uit de volgende productaanpassingsopties:

• Aluminium dibond print: This is a metal print made on aluminium dibond material with a true depth. The colors of the print are luminous, fine details are crisp and clear.
• Afdrukken op acrylglas: A glossy acrylic glass print, often labelled as a plexiglass print, will turn the original artwork into décor. Beyond that, the acrylic print forms a distinct alternative option to aluminium and canvas art prints. The artwork is being made with the help of modern UV print machines. This creates deep and rich colors. The major upside of an acrylic glass print is that sharp contrasts as well as granular image details will be more visible with the help of the fine gradation of the print. The real glass coating protects your selected art print against sunlight and heat for many years to come.
• Gedrukte affiche (canvasmateriaal): De Artprinta poster is a printed canvas with a slight texture on the surface. It is ideally suited for framing your fine art print in a personal frame. Please note, that depending on the size of the poster print we add a white margin of around 2-6cm round about the print motif to facilitate the framing with your custom frame.
• Canvasafdruk: The canvas print, not to be confused with a painting on a canvas, is an image applied on a cotton canvas. What is more, canvas generates a soft, pleasing appearance. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang your Canvas print without additional wall-mounts. Canvas prints are suitable for any kind of wall.

Over de schilder

Details over het unieke kunstwerk

Gestructureerde artikelinformatie

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