Johannes Lingelbach - Charles II (1630-1685) stopt op het landgoed van Wema aan de Rotte op zijn reis van Rotterdam naar Den Haag, 25 mei 1660 - fine art print

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• Canvas: A printed canvas stretched on a wood stretcher frame. A canvas has the unique impression of three dimensionality. A printed canvas of this masterpiece will let you turn your very own fine art print into a large size collection piece like you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang your Canvas print without any wall-mounts. Therefore, canvas prints are suited for any type of wall.
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• Print op glanzend acrylglas (met coating van echt glas): The acrylic glass print, which is sometimes named as a print on plexiglass, changes the original work of art into lovely décor. The great upside of an acrylic glass print is that contrasts plus minor details will be more recognizeable because of the very subtle gradation of the print.

Juridische opmerking: We try everythig possible to describe the products as accurately as possible and to showcase them visually. Although, the pigments of the print products, as well as the print result can vary slightly from the presentation on your device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments are printed as realisitcally as the digital version. Since our are printed and processed by hand, there might as well be slight differences in the exact position and the size of the motif.

Supplemental information from Mauritshuis (© - by Mauritshuis - Mauritshuis)

Jonas Witsen, Amsterdam, tot 1717; Prins Willem V, Apeldoorn en Den Haag, 1763-1795; geconfisqueerd door de Fransen, overgebracht naar het Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Parijs, 1795-1815; Koninklijke Kabinet van Schilderijen, gehuisvest in de Galerij Prins Willem V, Den Haag, 1816; overgebracht naar het Mauritshuis, 1822; in langdurige lening aan de Rijksmuseum, Amsterdam (inv.nr. SK-C-1223), sinds 1933

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Charles II (1630-1685) stopping at the Estate of Wema on the Rotte on his Journey from Rotterdam to The Hague, 25 May 1660 is a painting painted by Johannes Lingelbach. The original was painted with the dimensions: hoogte: 57,3 cm breedte: 98,5 cm | hoogte: 22,6 in breedte: 38,8 in. Olieverf op canvas was used by the European painter as the medium of the artpiece. "Signed: I. Lingelbach" was the painting's inscription. This piece of art belongs to the digital collection of Mauritshuis. Met toestemming van - Mauritshuis, Den Haag (publiek domein). : Jonas Witsen, Amsterdam, until 1717; Prince William V, Apeldoorn and The Hague, 1763-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1223), since 1933. On top of that, alignment is Landschap en heeft een zijverhouding van 16: 9, wat dat inhoudt de lengte is 78% langer dan de breedte. Johannes Lingelbach was a male painter, whose artistic style can primarily be assigned to Baroque. The Baroque artist lived for 52 jaar - geboren in 1622 in Frankfurt am Main, Hessen state, Germany and died in 1674 in Amsterdam, North Holland, Netherlands.

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