Jan Baptist Weenix, 1652 - Dode patrijs hangend aan een spijker - fine art print

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Wttewaal van Stoetwegen Collection, Laren; S. Nijstad Gallery, The Hague; purchased by the Friends of the Mauritshuis Foundation, 1960; on long-term loan from the Friends of the Mauritshuis Foundation, since 1960

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Dit kunstwerk heet Dead Partridge Hanging from a Nail is gemaakt door de Nederlandse kunstenaar Jan Baptist Weenix in 1652. De 360 jaar oud kunstwerk had de volgende afmetingen: hoogte: 50,6 cm breedte: 43,5 cm | hoogte: 19,9 in breedte: 17,1 in. Oil on canvas was applied by the Dutch artist as the medium of the artpiece. The original painting has the following inscription: signed: Gio. Batta: Weenix f.. Trouwens, dit kunstwerk bevindt zich in de Mauritshuis kunstcollectie gevestigd in Den Haag, Zuid-Holland, Nederland. The classic art public domain artpiece is supplied with courtesy of Mauritshuis, Den Haag. Bovendien heeft het kunstwerk de creditline: Wttewaal van Stoetwegen Collection, Laren; S. Nijstad Gallery, The Hague; purchased by the Friends of the Mauritshuis Foundation, 1960; on long-term loan from the Friends of the Mauritshuis Foundation, since 1960. Sterker nog, de uitlijning is binnen Portret formaat met een verhouding van 1: 1.2, Waardoor de lengte is 20% korter dan de breedte. Jan Baptist Weenix was a male painter of Dutch nationality, whose art style can be classified as Baroque. The Baroque artist lived for 39 jaar - geboren in 1621 in Amsterdam, Noord-Holland, Nederland en stierf in het jaar 1660.

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• Aluminium dibond print (metaal): Aluminium Dibond prints are prints on metal with an impressive depth effect. For our Direct Aluminium Dibond option, we print your selected artpiece onto the aluminium white-primed surface.
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Belangrijke juridische opmerking: We try the best we can to depict the art products as precisely as possible and to showcase them visually. At the same time, some tone of the print products and the print result may vary marginally from the image on your screen. Depending on the settings of your screen and the nature of the surface, color pigments might not be printed one hundret percent realistically. In view of the fact that our art prints are processed and printed by hand, there may as well be slight variations in the size and exact position of the motif.

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