Eugène Delacroix, 1846 - de ontvoering van Rebecca - fine art print

59,99 €

Inclusief BTW Verzendkosten berekend Bij de kassa.

Details van dit product

in 1846 Eugène Delacroix painted the romanticist artwork "The Abduction of Rebecca". Het kunstwerk is gemaakt met de maat: 39 1/2 x 32 1/4 inch (100,3 x 81,9 cm) and was produced on the medium oil on canvas. It is part of the digital collection of Het Metropolitan Museum of Art. Met dank aan: Het Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1903 (gelicentieerd - publiek domein). De creditline van het kunstwerk is: Collectie Catharine Lorillard Wolfe, Wolfe Fund, 1903. Daarnaast is de uitlijning Portret met een verhouding van 1: 1.2, wat dat inhoudt de lengte is 20% korter dan de breedte. The painter Eugène Delacroix was an artist, whose style was primarily Romanticism. The Romanticist artist was born in 1798 in Saint-Maurice, Val-de-Marne en stierf op de leeftijd van 65 in 1863.

Bestel het artikelmateriaal dat je graag zou willen hebben

The product dropdown menu ofers you the opportunity to pick your favorite material and size. You can choose among the following product customization options:

  • Aluminium dibond: An Aluminium Dibond print is a print material with an outstanding depth. For our Aluminium Dibond print, we print your artwork on the surface of the aluminum material. The white & bright sections of the artwork shimmer with a silk gloss, however without any glow. Colors are luminous, details appear clear and crisp. This print on aluminium is the most popular entry-level product and is an extremely modern way to showcase artworks, because it draws focus on the image.
  • Canvas: The UV printed canvas material stretched on a wooden frame. A canvas creates a exclusive impression of three-dimensionality. What is more, canvas print generates a nice and comfortable impression. A canvas print has the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suited for any kind of wall.
  • Poster (canvasmateriaal): Our poster is a printed sheet of canvas paper with a slight surface finish, that resembles the actual version of the work of art. It is suited for framing your art print with a custom frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the painting to facilitate the framing with your custom frame.
  • Geprint acrylglas met glanzend effect (met echte glascoating): A glossy acrylic glass print, often named a UV print on plexiglass, will convert your favorite original into great décor.

Belangrijke opmerking: We try everythig possible in order to depict our products as closely as possible and to showcase them visually on the respective product detail pages. However, the pigments of the print materials and the imprint can diverge to a certain extent from the representation on your device's monitor. Depending on your screen settings and the nature of the surface, not all colors are printed as exactly as the digital version depicted here. Given that all art reproductions are printed and processed manually, there might also be slight variations in the size and exact position of the motif.

Gestructureerde artikeldetails

Artikel categorisatie: reproductie van fijne kunst
voortplanting: digitale reproductie
Productie methode: digitaal printen (UV direct print)
Productie: Duits gemaakt
Soort voorraad: on demand
Gebruik van het product: wandafbeelding, wanddecoratie
Beeldoriëntatie: staand formaat
Beeldverhouding: lengte : breedte - 1 : 1.2
Beeldverhouding betekenis: de lengte is 20% korter dan de breedte
Beschikbare materiaalkeuzes: posterprint (canvaspapier), print op metaal (aluminium dibond), print op acrylglas (met echte glascoating), print op canvas
Canvas print (canvas op spieraam): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Print op plexiglas (met coating van echt glas): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Formaatvarianten posterprint (canvaspapier): 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium print (aluminium dibond materiaal) formaat opties: 50x60cm - 20x24", 100x120cm - 39x47"
Frame: niet inbegrepen

Informatie over kunstwerken

Naam kunstwerk: "The Abduction of Rebecca"
Classificatie van het kunstwerk: schilderij
Brede categorie: moderne kunst
Eeuw: 19th eeuw
Gemaakt in het jaar: 1846
Geschatte leeftijd van kunstwerk: 170 jaar
Origineel medium: olieverf op canvas
Originele afmetingen (kunstwerk): 39 1/2 x 32 1/4 inch (100,3 x 81,9 cm)
Museum / collectie: Het Metropolitan Museum of Art
Locatie museum: New York City, New York, Verenigde Staten van Amerika
Museumwebsite: Het Metropolitan Museum of Art
Licentie type: publiek domein
Met dank aan: Het Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1903
Creditline van kunstwerk: Collectie Catharine Lorillard Wolfe, Wolfe Fund, 1903

Tabel met metadata van artiesten

Artist: Eugène Delacroix
Geslacht: mannetje
Nationaliteit artiest: Frans
Beroepen van de kunstenaar: schilder
Land van de artiest: Frankrijk
Categorie artiest: moderne kunstenaar
Kunststijlen: Romantiek
Overleden op de leeftijd van: 65 jaar
Geboren in het jaar: 1798
Geboorteplaats: Saint-Maurice, Val-de-Marne
Jaar van overlijden: 1863
Overleden in (plaats): Parijs

© Auteursrecht beschermd, Artprinta.com

Originele kunstwerkbeschrijving van de website van het museum (© - Het Metropolitan Museum of Art - Het Metropolitan Museum of Art)

Throughout his career, Delacroix was inspired by the novels of Sir Walter Scott, a favorite author of the French Romantics. This painting depicts a scene from Ivanhoe: the Jewish heroine Rebecca, who had been confined in the castle of Front de Boeuf (seen in flames), is carried off by two Saracen slaves commanded by the covetous Christian knight Bois-Guilbert. The contorted, interlocking poses and compacted space, which shifts abruptly from the elevated foregound to the fortress behind, create a sense of intense drama. Apart from the still life at lower left, the only element of calm is Rebecca herself.

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