Giovanni Battista Cima da Conegliano en werkplaats, 1515 - Maagd en kind met heiligen en schenkers - fine art print

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In 1515 the Italian painter Giovanni Battista Cima da Conegliano and Workshop created this classic art painting. The original was made with the size Ingelijst: 103 x 125 x 16 cm (40 9/16 x 49 3/16 x 6 5/16 inch); Zonder lijst: 56 x 78,8 cm (22 1/16 x 31 inch) en werd beschilderd met de techniek oil on wood. What is more, the piece of art can be viewed in in the Het Cleveland Museum of Art digitale kunstcollectie, een van de toonaangevende musea ter wereld die zijn uitmuntende kunstcollecties uit alle perioden en delen van de wereld bouwt, bewaart, bestudeert en deelt, waardoor nieuwe kennis en begrip wordt gegenereerd, terwijl het tevens dient als een sociaal en intellectueel centrum voor zijn gemeenschap. Dit klassieke kunst publiek domein meesterwerk wordt aangeboden met dank aan Het Cleveland Museum of Art. Creditline of the artwork: Bequest of John L. Severance. The alignment is Landschap en heeft een beeldverhouding van 1.4 : 1, dat wil zeggen de lengte is 40% langer dan de breedte.

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Het vervolgkeuzemenu voor producten biedt u de mogelijkheid om uw individuele materiaal en maat te kiezen. Wij bieden u de mogelijkheid uw favoriete maat en materiaal te kiezen uit de volgende productindividualiseringsopties:

• Gedrukte poster op canvas materiaal: The poster is a UV printed cotton canvas with a granular finish on the surface, which resembles the original version of the masterpiece. It is particularly qualified for framing the art print using a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the artwork, which facilitates the framing with your custom frame.
• Print op plexiglas (met coating van echt glas): An print on acrylic glass, often described as a print on plexiglass, makes your selected original into brilliant home décor and makes a viable alternative option to aluminium and canvas prints.
• Aluminiumprint (aluminiumdibond): Aluminium Dibond prints are prints on metal with a true depth. A direct Direct Print on Aluminum Dibond is your ideal start to fine art reproductions with aluminum. The white and bright parts of the original work of art shimmer with a silky gloss, however without the glare. The colors of the print are luminous in the highest definition, details of the print appear crisp.
• De canvasafdruk: The UV printed canvas material mounted on a wood frame. A canvas print generates a cosy and enjoyable appearance. A canvas print has the advantage of being relatively low in weight, which implies that it is quite simple to hang up your Canvas print without additional wall-mounts. Canvas prints are suited for any kind of wall.

Belangrijke informatie: We try our utmost in order to depict our art products as closely as possible and to illustrate them visually in our shop. Please bear in mind that the tone of the printed materials and the printing may vary to a certain extent from the presentation on the device's monitor. Depending on your screen settings and the nature of the surface, colors might not be printed as realisitcally as the digital version depicted here. Bearing in mind that all our are processed and printed manually, there may also be minor deviations in the motif's exact position and the size.

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What does the website of the The Cleveland Museum of Art say about the 16th century artwork made by Giovanni Battista Cima da Conegliano and Workshop? (© Copyright - Het Cleveland Museum of Art - Het Cleveland Museum of Art)

This work reinterprets the most common subject in Renaissance art—the Madonna and Child. The tender relationship of mother and son spoke to Mary’s role as intercessor for humanity, sparked an empathetic relationship with Christ, and helped invest Christian practice with tenderness and compassion. Works at this scale were usually for private devotion, but distinct styles and refined craftsmanship were also appreciated for their artistry and creativity. Here the donors occupy the same landscape as the holy figures, emphasizing how Mary’s compassion extends into our world. This painting was never finished, visible in Saint Anthony Abbot’s beard and the female saint’s empty hand, which makes her identity impossible to pin down.