Matteo di Giovanni, 1470 - de kruisiging - fine art print

De kruisiging is a work of art created by Matteo di Giovanni. The version of the artwork was made with the following size: Ingelijst: 39,4 x 38,1 x 4,5 cm (15 1/2 x 15 x 1 3/4 inch); Zonder lijst: 29,8 x 31 cm (11 3/4 x 12 3/16 inch). Tempera and oil with gold on wood panel was used by the artist as the technique for the painting. Besides, this work of art is included in the Het Cleveland Museum of Art kunstcollectie, een van de toonaangevende musea ter wereld die zijn uitstekende kunstcollecties uit alle periodes en delen van de wereld opbouwt, bewaart, bestudeert en deelt, nieuwe kennis en begrip genereert en tegelijkertijd dient als een sociaal en intellectueel centrum voor zijn gemeenschap. Met dank aan - Het Cleveland Museum of Art (publiek domein licentie). : Legaat van James Parmelee. Bovendien is de uitlijning vierkant formaat en heeft een beeldverhouding van 1: 1, inhoudende dat de lengte is gelijk aan de breedte. Matteo di Giovanni was a male painter of Italian nationality, whose artistic style can be classified as Early Renaissance. The European artist was born in the year 1430 and passed away at the age of 65 in het jaar 1495.

Bestel het item materiaal dat je graag in huis wilt ophangen

In the dropdown lists next to the product offering you can choose a material and a sizeaccording to your individual preferences. The following sizes and materials are the options we offer you for individualization:

• De canvasafdruk: A printed canvas, not to be mistaken with a real painting on a canvas, is a digital image applied on a cotton canvas material. Canvas Prints have the advantage of being relatively low in weight, which means that it is quite simple to hang up your Canvas print without additional wall-mounts. Canvas prints are suitable for any type of wall.
• Posterprint (canvasmateriaal): Our poster is a printed cotton canvas with a nice surface structure. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm around the print motif to facilitate the framing.
• Aluminium dibond print: Aluminium Dibond prints are metal prints with a true depth - for a modern look and non-reflective surface. A direct Direct Print on Aluminum Dibond is your excellent introduction to art replicas with aluminum. Colors are luminous, fine details are very clear, and you can literally feel the matte appearance of the fine art print.
• Afdrukken op acrylglas: An print on acrylic glass, which is often denoted as a print on plexiglass, will convert your favorite original artwork into beautiful décor. In addition to that, the acrylic glass print offers a great alternative option to canvas and aluminidum dibond fine art replicas. The plexiglass protects your chosen art print against light and heat for decades.

Juridische opmerking: We try our utmost in order to describe the art products as precisely as possible and to display them visually in our shop. At the same time, the colors of the printing material and the printing might vary marginally from the representation on the monitor. Depending on the settings of your screen and the condition of the surface, colors may not be printed one hundret percent realistically. Considering that all art reproductions are printed and processed by hand, there may as well be minor deviations in the exact position and the size of the motif.

Gestructureerde productdetails

Gestructureerde tabel van het kunstwerk

De artiest

© Auteursrecht van - Artprinta (www.artprinta.com)

Additional description by the museum (© - The Cleveland Museum of Art - Het Cleveland Museum of Art)

This small picture belonged to a predella, a series of subsidiary panels consisting of narrative scenes and situated at the bottom of an altarpiece. Predella paintings are significant because the artist was allowed more freedom and inventiveness here than in the higher part of the altarpiece. In this Crucifixion scene, the harmony of colors, the monumentality of the figures, and the symmetry of the composition all reflect the classical spirit of Renaissance Italy. Moreover, the panel shows some characteristics of the traditional Sienese school—such as the quality and elegance of the lines—which persists in Giovanni’s works.